In 2024, the board again supported La Biennale di Venezia, as the main funder of the 60th International Art Exhibition: Stranieri Ovunque—Foreigners Everywhere as well as contributing funds to Jeffrey Gibson: the space in which to place me, celebrating the first Native artist to represent the U.S. in a solo presentation. Commitments were also renewed for ICI, CCL, the Visual Culture Research Center, and the NGO Museum of Contemporary Art in Ukraine.
Additionally, Teiger Foundation extended its support to critical curator-led projects including Gulf Coast Artist Climate Collaborative, an initiative centering the needs of QTBIPOC artists in disaster-prone regions through participatory research and community engagement, sponsored by Antenna, New Orleans; Fire Ecology, a project facing and embracing the planned winding-down of the publication Art Papers and Contemporary Art Museum St. Louis’s exhibition And I Saw New Heavens and a New Earth, which will explore the partnership and activism of Claude Cahun and Marcel Moore, highlighting their resistance against the Nazi regime. We also supported MASS MoCA's Curatorial Exchange Initiative (CEI), which brings together six mid-career curators of color in a multi-year residency that supports their large-scale exhibitions and programs.
Support was also extended to two initiatives forthcoming in 2025: MONUMENTS, which confronts white supremacy in public space and memory in an unprecedented way; and Into the Time Horizon at Nevada Museum of Art a major exhibition on visual art and climate, followed by the Art + Environment Conference in 2026.