Jamillah James
Museum of Contemporary Art Chicago
Touring
Jamillah James
Museum of Contemporary Art Chicago
Los Angeles-based painter Rebecca Morris is best known for her large-scale abstract paintings’ exuberant approach to composition, color, and gesture. Her techniques include erasure, dripping, and spray painting, applied to canvases lying flat on the floor in an active, physical process. The resulting body of work is characterized by an idiosyncratic lexicon of mark-making and a continual rupture of conventions related to hierarchy, beauty, and taste—including those of her own practice.  


Rebecca Morris, Untitled (#04–20), 2020. Oil on canvas. Courtesy the artist and Bortolami, New York.
 
Rebecca Morris: 2001–2022 was first organized by James for the Institute of Contemporary Art, Los Angeles (ICA LA). Rather than present the 21-year survey of Morris’ work chronologically, James ordered the works according to the artist’s catalog of discursive influences and formal signifiers: grids, lines, atomized or dispersed marks, patterns, and organic shapes. The resulting presentation centered Morris’ visual language and nonlinear approach to formal revision, response, and refusal. 


Rebecca Morris, Untitled (#10–20), 2020. Oil on canvas. Courtesy of private collection, New York. Photo credit: Lee Tyler Thompson.

In her new role, James will bring the exhibition to the Museum of Contemporary Art Chicago (MCA Chicago), leveraging an opportunity to expand and revise the exhibition, in part through the inclusion of works from local and regional collections. Morris’ longstanding relationships in Chicago extend from her study of painting at the School of the Art Institute, Chicago, and solo exhibition at The Renaissance Society (2005). Her work is represented in the collection of the MCA, and has also been included in two prior exhibitions at the Museum, Phantom Limb: Approaches to Painting Today (2012) and West by Midwest (2018).

Rebecca Morris: 2001–2022 is accompanied by a forthcoming publication designed by Lorraine Wild of Green Dragon Office, Los Angeles, in close collaboration with the artist. The fully illustrated volume, expected to be released in late 2023, will be the most comprehensive book on the artist to date, with essays by James, Anthony Elms, Alex Jen, Camilla McHugh, and Hamza Walker, offering an extensive review of her practice and its place within contemporary art.
Jamillah James is Manilow Senior Curator at the Museum of Contemporary Art Chicago. She was co-curator (with Margot Norton) of Soft Water Hard Stone, the 2021 New Museum Triennial, and has held curatorial positions at the Institute of Contemporary Art, Los Angeles (ICA LA); Hammer Museum, Los Angeles; the Studio Museum in Harlem and Queens Museum, New York. Her recent projects include Enter the Mirror (2022-23) and Sara Cwynar: Apple Red/Grass Green/Sky Blue (2021). She has organized exhibitions of Nayland Blake, Lucas Blalock, Njideka Akunyili Crosby, Alex Da Corte, Stanya Kahn, Simone Leigh, Harold Mendez, and B. Wurtz, among others. James is the recipient of the Noah Davis Prize from the Underground Museum, Los Angeles, and Chanel Culture Fund (2021), an Andy Warhol Foundation for the Visual Arts Curatorial Research Fellowship (2021), and a VIA Art Foundation Curatorial Fellowship (2018).
Jamillah James
Museum of Contemporary Art Chicago
  • Institute of Contemporary Art, Los Angeles
  • Rebecca Morris: 2001 – 2022
  • Museum of Contemporary Art Chicago: September 30, 2023 – April 2024
  • $50,000
Touring


Next up:

Jamillah James.
Los Angeles-based painter Rebecca Morris is best known for her large-scale abstract paintings’ exuberant approach to composition, color, and gesture. Her techniques include erasure, dripping, and spray painting, applied to canvases lying flat on the floor in an active, physical process. The resulting body of work is characterized by an idiosyncratic lexicon of mark-making and a continual rupture of conventions related to hierarchy, beauty, and taste—including those of her own practice.  


Rebecca Morris, Untitled (#04–20), 2020. Oil on canvas. Courtesy the artist and Bortolami, New York.
 
Rebecca Morris: 2001–2022 was first organized by James for the Institute of Contemporary Art, Los Angeles (ICA LA). Rather than present the 21-year survey of Morris’ work chronologically, James ordered the works according to the artist’s catalog of discursive influences and formal signifiers: grids, lines, atomized or dispersed marks, patterns, and organic shapes. The resulting presentation centered Morris’ visual language and nonlinear approach to formal revision, response, and refusal. 


Rebecca Morris, Untitled (#10–20), 2020. Oil on canvas. Courtesy of private collection, New York. Photo credit: Lee Tyler Thompson.

In her new role, James will bring the exhibition to the Museum of Contemporary Art Chicago (MCA Chicago), leveraging an opportunity to expand and revise the exhibition, in part through the inclusion of works from local and regional collections. Morris’ longstanding relationships in Chicago extend from her study of painting at the School of the Art Institute, Chicago, and solo exhibition at The Renaissance Society (2005). Her work is represented in the collection of the MCA, and has also been included in two prior exhibitions at the Museum, Phantom Limb: Approaches to Painting Today (2012) and West by Midwest (2018).

Rebecca Morris: 2001–2022 is accompanied by a forthcoming publication designed by Lorraine Wild of Green Dragon Office, Los Angeles, in close collaboration with the artist. The fully illustrated volume, expected to be released in late 2023, will be the most comprehensive book on the artist to date, with essays by James, Anthony Elms, Alex Jen, Camilla McHugh, and Hamza Walker, offering an extensive review of her practice and its place within contemporary art.
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